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The Testaments Summary

by Margaret Atwood
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What is The Testaments about?

The Testaments is a novel by Margaret Atwood, published on September 10, 2019, and the sequel to The Handmaid's Tale (1985). While The Handmaid's Tale is narrated entirely by Offred, The Testaments is told through three distinct voices: Aunt Lydia, one of the most powerful women in the Republic of Gilead and a founding architect of its system of female control; Agnes, a girl growing up inside Gilead who is being prepared for marriage to a high-status Commander; and Nicole, a young woman in Canada who discovers she has a connection to Gilead that she did not know about. The novel is structured as a collection of testimonies and documents — the "testaments" of the title — compiled by historians at an academic symposium set far in the future, after Gilead has fallen. The Testaments won the Booker Prize in 2019, which Atwood shared with Bernardine Evaristo (Girl, Woman, Other). It was praised for expanding the world of The Handmaid's Tale while providing a more direct account of the regime's inner workings and — unlike its predecessor — its eventual downfall.

What genre is The Testaments?

The Testaments is speculative fiction — the same genre as The Handmaid's Tale, which imagines a near-future theocratic totalitarian state that has replaced the United States. Atwood has consistently described her speculative fiction as distinct from science fiction in the sense that she only imagines things that have already happened or are already happening somewhere in the world: Gilead's structures (forced reproduction, institutionalized religious patriarchy, rigid caste systems, the suppression of women's literacy) all have historical precedents. The Testaments is also a political thriller, with a tightly constructed plot about espionage, escape, and the mechanics of resistance inside a totalitarian system. Compared to The Handmaid's Tale — which is more lyrical and elliptical — The Testaments is more propulsive and plot-driven, which has led some readers to prefer it and others to find it less literary.

How many chapters are in The Testaments?

The Testaments has eighty-three short chapters, organized into fifteen parts, each part headed by one of the three narrators (with a few sections attributed to the fictional academic apparatus that frames the novel). It is approximately 419 pages. The multi-narrator structure means that chapters alternate between the three voices, and the novel is structured so that the three stories converge in its final sections. The short chapter format makes the novel very readable despite its length — each chapter advances plot or reveals character quickly, and the three parallel stories provide momentum.

The Testaments summary

The novel opens with a framing device: an academic symposium in the future, reviewing documents from the Gileadean era. The documents — the titular testimonies — include the written accounts of three women.

Aunt Lydia's testimony begins with her in Gilead's early days, before she became the formidable authority she is at the novel's opening. She was a judge in the previous world — the world before Gilead — who was arrested, humiliated, and faced with a choice: collaborate with the new regime or die. She chose collaboration, and she became one of the Aunts who run the Ardua Hall training center and manage Gilead's female population. But Aunt Lydia has been keeping records for thirty years. She has been writing down the secrets of the regime's founders — their crimes, their hypocrisies, the things they have done that would destroy them if they became known. She has been waiting for a way to use them.

Agnes's testimony follows a girl growing up in a Commander's household in Gilead. Agnes has been raised in the regime and accepts its rules as natural — but she begins to have doubts when she realizes that the life she is being prepared for (marriage to a Commander she does not choose) is not what she wants. Her doubts deepen when she learns the truth about her own origins.

Nicole's testimony follows a young woman in Canada who has been raised by an underground network connected to Mayday — the resistance movement that helps people escape from Gilead. Nicole discovers that she is not who she thought she was: she is Baby Nicole, the infant whose escape from Gilead was a major news event that Gilead still uses as propaganda. She is recruited to smuggle documents back into Gilead.

The three stories converge when Aunt Lydia arranges for her thirty years of accumulated documentation — the secrets that could bring down Gilead's leadership — to be smuggled out by Nicole. Agnes and Nicole, who turn out to be half-sisters (both the biological children of the same woman, Offred, who narrated The Handmaid's Tale), escape from Gilead together. The documents reach the outside world. The regime's inner circle is exposed.

The novel's final section is set at the future academic symposium, where historians discuss what happened after the documents became public. Gilead falls — not immediately, and not because of a single dramatic event, but because the information that leaked, combined with other pressures, makes the regime unsustainable.

How does The Testaments end?

Agnes and Nicole escape Gilead by boat, with Aunt Lydia's documentation hidden as microdots in Nicole's tattoo. Aunt Lydia, who has arranged the escape and knows she will not survive it, is last seen at Ardua Hall. The documents reach the world outside, where their publication accelerates the pressures already bearing on the Gileadean regime. The final academic symposium section establishes that Gilead eventually fell. Aunt Lydia's fate is deliberately left ambiguous. Agnes settles in Canada and becomes a scholar of Gileadean studies. Nicole becomes a public figure. The novel ends with the image of the future historians discussing the past — the same framing device as the historical notes that conclude The Handmaid's Tale.

Characters in The Testaments

  • Aunt Lydia — The most complex figure in the novel: a woman who built Gilead's system of female control and spent thirty years working from within it to bring it down. Her voice is the novel's most mordant and precise.

  • Agnes — A girl raised inside Gilead who becomes a Supplicant at Ardua Hall after refusing the marriage she has been assigned. Her arc takes her from compliance to active resistance.

  • Nicole / Daisy — A young woman in Canada who discovers she is Baby Nicole, the infant who escaped Gilead and became a symbol for both sides. Her arc takes her from ordinary teenager to courier to survivor.

  • Commander Judd — The most dangerous man in Gilead, who has been orchestrating the murder of wives to upgrade his household and who is one of Aunt Lydia's primary targets.

  • Becka — Agnes's close friend at Ardua Hall, who chooses to become an Aunt rather than be forced into marriage and whose devotion to the community is genuinely felt rather than strategic.

Quotes from The Testaments by Margaret Atwood

Margaret Atwood writes The Testaments's most resonant lines in Aunt Lydia's voice — sardonic, precise, and aware of exactly what she is doing and what it costs.

"You don't believe the sky is falling until a chunk of it falls on you."

"As they say, history does not repeat itself, but it rhymes."

"Once a story you've regarded as true has turned false, you begin suspecting all stories."

Frequently asked questions

Do I need to read The Handmaid's Tale before The Testaments?

The Testaments is a sequel and assumes familiarity with the world of The Handmaid's Tale, but it was written to be accessible to readers who have not read the earlier book or who encountered it primarily through the Hulu television series. Atwood provides enough context that the world of Gilead is comprehensible without prior knowledge, and the novel's three narrators explain the rules of the society as they experience them. That said, readers who have read The Handmaid's Tale will recognize references and characters (particularly Aunt Lydia, who appears in the earlier novel) that will deepen the experience. The Handmaid's Tale is a better novel; The Testaments is in some ways a more satisfying narrative.

Is The Testaments connected to the Hulu TV series?

The relationship between The Testaments and the Hulu series is complex. The TV series, which began in 2017, extended well beyond the plot of The Handmaid's Tale novel and introduced storylines and characters that are not in either Atwood book. The Testaments was published in 2019, after the series was already several seasons in, and Atwood has said she was aware of what the show was doing but that The Testaments is not based on the show and does not attempt to be consistent with it. Readers who have seen the TV series will find that some elements of The Testaments contradict the series' portrayal of characters and events. Atwood considers the novel and the series to be parallel explorations of the same world rather than a single canonical continuity.

What happened to Aunt Lydia at the end of The Testaments?

Aunt Lydia's fate at the end of The Testaments is deliberately left ambiguous by Atwood. The framing device of the future academic symposium refers to Aunt Lydia's testimony as a historical document but does not specify what happened to her after she arranged Agnes and Nicole's escape. The novel implies that she did not survive — she has been maneuvering against Commander Judd for years, and the plan she executes in the novel's final act exposes her — but Atwood does not provide a definitive account of her end. This ambiguity is consistent with the framing device of the whole novel: we are reading documents compiled by historians who do not have complete information.

Who are Agnes and Nicole in The Testaments?

Agnes and Nicole are half-sisters who do not know each other until near the novel's end. Both are the biological children of Offred — the narrator of The Handmaid's Tale — by different fathers. Agnes was born in Gilead to Offred and the Commander (Offred's assignment in The Handmaid's Tale) and was raised in a Commander's household after Offred's fate became uncertain. Nicole is Baby Nicole — the infant who was smuggled out of Gilead at the end of The Handmaid's Tale and raised in Canada by Mayday resistance members. The two women's meeting and cooperation is the novel's emotional climax.

Did The Testaments win any awards?

The Testaments won the Booker Prize in 2019, which Margaret Atwood shared with Bernardine Evaristo, who won for Girl, Woman, Other. It was the first time in the prize's history that two books shared the award. Atwood had previously won the Booker Prize in 2000 for The Blind Assassin, making her only the fourth author to win it twice. The Testaments also won the Corine Literature Prize in Germany, the Giller Prize shortlist in Canada, and several other prizes. It became an instant bestseller on publication.

What other books are similar to The Testaments?

Readers who respond to The Testaments's speculative feminist dystopia often also read Naomi Alderman's The Power (a speculative novel imagining a world in which women develop the ability to generate electrical jolts and the power dynamics of the world reverse), Christina Dalcher's Vox (a near-future America in which women are limited to one hundred words per day), and Louise Erdrich's Future Home of the Living God (a speculative novel about a world in which evolution reverses). For other explorations of totalitarianism from the inside, Hannah Arendt's The Origins of Totalitarianism (non-fiction) and Arthur Koestler's Darkness at Noon (a novel about Stalinist show trials) both illuminate the mechanisms of how ordinary people participate in and sustain authoritarian systems.

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